Array ( [id] => 22442 [type] => document [contentType] => text/html [pagetitle] => Michael Asher [longtitle] => [description] => [alias] => michael-asher [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>In 1990, Asher, armed with his characteristic incisive wit and critical intellect, set out to dig through the historical foundations of the Renaissance Society's Bergman Gallery at the University of Chicago. This exhibition marks Asher's shift from physically altering gallery spaces to using text and documentation as a manifestation of the ideological backgrounds for exhibitions. Revealing the underlying intellectual and social coordinates of the Society by juxtaposing writings from early University of Chicago scholars of the American Arts and Crafts Movement with the U.S. patent numbers for various gallery fixtures, Asher's exhibition was a brilliant contribution to the movement of institutional critique.</p> <p>With detailed and thorough reproductions of the installation alongside scholarly essays by Birgit Pelzer and Anne Rorimer, this publication offers an intensive analysis of Asher's project for the Renaissance Society. It is an essential addition to the library of anyone with an interest in museum studies or site-specific art practices.</p> <p>[editor's note]</p> [richtext] => 1 [template] => 5 [menuindex] => 0 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1505380186 [editedby] => 1 [editedon] => 1563024758 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1505380140 [publishedby] => 0 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => michael-asher.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 30 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 1 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => ASHER, Michael [booksAvailable] => 0 [category] => Monographs,Artists' Books [publisher] => The Renaissance Society [releaseDate] => 1991 [idx] => 1 ) Array ( [id] => 32917 [type] => document [contentType] => text/html [pagetitle] => Life on the CAPS [longtitle] => [description] => [alias] => meriem-bennani.-life-on-the-caps [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>Meriem Bennani's <em>Life on the CAPS</em> is the final chapter in her film trilogy of the same name. Set in a supernatural, dystopian future surrounding a fictional island in the middle of the Atlantic Ocean, it is rooted in Bennani&rsquo;s research and reflections on the histories of island societies, biotechnology, and vernacular music. Layering live-action footage and computer-generated animation, Bennani intuitively adapts editing techniques that evoke documentary film, science fiction, phone footage, music videos, and reality TV. Her one-person exhibition at the Renaissance Society marked the debut of this personal, electric yet melancholic consideration of what it is to live in a state of limbo, and this accompanying book captures the film through a combination of still images and selections from a transcript of the film.</p> <p>This volume includes essays by Emily LaBarge and Elvia Wilk and transcripts of conversations between Meriem Bennani and: Omar Berrada; Fatima Al Quadiri, Negar Azimi, and Tiffany Malakooti; Amal Benzekri; and Aziz Bouyabrine.</p> <p>[publisher's note]</p> [richtext] => 1 [template] => 5 [menuindex] => 10490 [searchable] => 1 [cacheable] => 1 [createdby] => 16 [createdon] => 1697290776 [editedby] => 16 [editedon] => 1750792173 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1697820480 [publishedby] => 16 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => meriem-bennani.-life-on-the-caps.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 45 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 1 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 2 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => BENNANI, Meriem; AZIMI, Negar (ed.); MALAKOOTI, Tiffany (ed.) [booksAvailable] => 1 [category] => Monographs [publisher] => Bidoun,The Renaissance Society [releaseDate] => 2023 [idx] => 2 ) Array ( [id] => 26420 [type] => document [contentType] => text/html [pagetitle] => Shared Eye [longtitle] => [description] => [alias] => shared-eye [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>So happy to hold this beautiful book, documenting Sadie Benning's image works. New essays by Christine Mehring and John Corbett, an interview between the artist and Julie Ault, and installation views from the Renaissance Society and Kunsthalle Basel. Co-curators Solveig &Oslash;vsteb&oslash; and Elena Filipovic provide an introduction.</p> [richtext] => 1 [template] => 5 [menuindex] => 4423 [searchable] => 1 [cacheable] => 1 [createdby] => 16 [createdon] => 1557489303 [editedby] => 16 [editedon] => 1668688363 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1557489600 [publishedby] => 16 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => shared-eye.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 35 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 1 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 2 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => BENNING, Sadie [booksAvailable] => 1 [category] => Monographs [publisher] => The Renaissance Society,Kunsthalle Basel [releaseDate] => 2017 [idx] => 3 ) Array ( [id] => 26434 [type] => document [contentType] => text/html [pagetitle] => Robert Grosvenor [longtitle] => [description] => [alias] => robert-grosvenor [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>Over a fifty-year career, Robert Grosvenor has produced a body of work that is at once solidly physical and conceptual, muscular and fluid. Grosvenor frequently uses industrial materials and found objects as he experiments with texture and scale, resulting in sculptures that reveal a handmade quality and subtle vein of humor.</p> <p>In 2017, the Renaissance Society presented an exhibition of the sculptor&rsquo;s untitled work from 1989 to 1990. Re-contextualized within a spare architectural installation, this assemblage of materials and found objects eludes interpretation at the same time as it asserts its form and construction. Such nuances, combined with its ambiguous scale, evoke what critic John Yau has suggested is the labor of an &ldquo;anonymous worker.&rdquo;</p> <p>Grosvenor has made significant contributions as a sculptor over the past fifty years, but relatively few books have been published about his work. This monograph documents the Renaissance Society show and also features new scholarship considering Grosvenor&rsquo;s work with a broad scope. Contributors include Yau, Bruce Hainley, Yve-Alain Bois, Susan Howe, and Solveig &Oslash;vsteb&oslash;. [publisher's note]</p> <p>&nbsp;</p> [richtext] => 1 [template] => 5 [menuindex] => 4437 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1557503479 [editedby] => 16 [editedon] => 1561046209 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1557503760 [publishedby] => 1 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => robert-grosvenor.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 40 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 2 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => GROSVENOR, Robert; ØVSTEBØ, Solveig [booksAvailable] => 0 [category] => Monographs [publisher] => The Renaissance Society [releaseDate] => 2018 [idx] => 4 ) Array ( [id] => 24050 [type] => document [contentType] => text/html [pagetitle] => A Fatal Attraction: Art and The Media [longtitle] => [description] => [alias] => a-fatal-attraction-art-and-the-media [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>To consume in America is not to buy; it is to dream. Advertising is the suggestion that the dream of entering the third person singular might possibly be fulfilled." -Don DeLillo These are the artists who put the load-bearing post in postmodern, making the visual politics of media, marketplace and patriarchy the crucial issues for the 1980s: Sarah Charlesworth, Eric Bogosian, Nancy Dwyer, Jeff Koons, Barbara Kruger, Robert Longo, Richard Prince, David Salle, Cindy Sherman. A Fatal Attraction brought these and other artists who share these concerns together at a seminal point in this movement. This exhibition catalogue is a valuable reference for scholarship of this period of contemporary art, not to mention a cultural relic from an important moment in recent art history. Tom Lawson's essay links the artists within a set of shared concerns-deconstruction of institutionalized pleasure, demystification of representation-that follow from the discourse of 1960s and 70s conceptual art, but takes this critique of ideology from the insulated art world out into the streets and living rooms of America.</p> <p>[publisher's note]</p> [richtext] => 1 [template] => 5 [menuindex] => 0 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1505380412 [editedby] => 16 [editedon] => 1747428060 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1505380380 [publishedby] => 0 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => a-fatal-attraction-art-and-the-media.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 25 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 1 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 1 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => LAWSON, Tom (cur.) [booksAvailable] => 0 [category] => Artists' Writings,Exhibition Catalogues,Group Shows [publisher] => The Renaissance Society [releaseDate] => [idx] => 5 ) Array ( [id] => 31865 [type] => document [contentType] => text/html [pagetitle] => Tender [longtitle] => [description] => [alias] => tender [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p data-mce-fragment="1"><br data-mce-fragment="1" />Conceived as a story in multiple chapters, this book focuses on two parts of a larger project by artist Jill Magid in which she explores the circulation of pennies against the backdrop of the COVID-19 pandemic. Through<span data-mce-fragment="1">&nbsp;</span><em data-mce-fragment="1">Tender</em>, a public artwork in New York City produced by Creative Time, and<span data-mce-fragment="1">&nbsp;</span><em data-mce-fragment="1">Tender: Balance</em>, an exhibition at the Renaissance Society in 2021, Magid both observes intimate financial and social transactions and delves into economic systems that are harder to see, intervening in the flows of currency in subtle, poetic ways.</p> <p data-mce-fragment="1">Along with visuals from these two parts of the project, the book offers insights into Magid&rsquo;s extensive research process and three new essays that provide greater social and art historical context for her work. In their contribution, Claire Bishop and Nikki Columbus consider how Magid&rsquo;s process makes wide-ranging connections to create a constellation of ideas. Jamilah King addresses the ongoing shift toward a cashless economy and who is left behind, and Aden Kumler explores histories of modifying currency. The book culminates in a conversation between the artist and curators Justine Ludwig and Karsten Lund, in which they reflect on the project&rsquo;s conceptual touchstones and on events contemporary to the work.</p> <p data-mce-fragment="1">[publisher's note]</p> [richtext] => 1 [template] => 5 [menuindex] => 9535 [searchable] => 1 [cacheable] => 1 [createdby] => 16 [createdon] => 1677069110 [editedby] => 16 [editedon] => 1677069192 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1677069120 [publishedby] => 16 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => tender.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 38 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 2 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => MAGID, Jill [booksAvailable] => 1 [category] => Monographs [publisher] => The Renaissance Society [releaseDate] => 2023 [idx] => 6 ) Array ( [id] => 30252 [type] => document [contentType] => text/html [pagetitle] => Blowout [longtitle] => [description] => [alias] => blowout [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>For more than four decades, Magor&rsquo;s practice has quietly dramatized the relationships that develop among objects, and she describes this body of work as &ldquo;a collection of tiny and intense narratives.&rdquo; Each written contribution responds in its own way to Magor&rsquo;s new installations, which feature altered stuffed toys, bits of paper, and rat skins&mdash;sculptural &ldquo;agents,&rdquo; in the artist&rsquo;s words&mdash;suspended in transparent Mylar box forms, and thirty-two pairs of secondhand shoes, each displayed within its own box amidst elaborate embellishments.</p> <p>[publisher's note]</p> <p>Features texts by&nbsp;Mitch Speed and Sheila Heti, and a conversation between the artist and curators Dan Byers and Solveig &Oslash;vsteb&oslash;.</p> <p>&nbsp;</p> [richtext] => 1 [template] => 5 [menuindex] => 8042 [searchable] => 1 [cacheable] => 1 [createdby] => 16 [createdon] => 1644338473 [editedby] => 1 [editedon] => 1650121203 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1644338460 [publishedby] => 16 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => blowout.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 32 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 2 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => MAGOR, Liz [booksAvailable] => 0 [category] => Exhibition Catalogues,Monographs [publisher] => The Renaissance Society,University of Chicago Press [releaseDate] => 2020 [idx] => 7 ) Array ( [id] => 23212 [type] => document [contentType] => text/html [pagetitle] => Sky-wreck [longtitle] => [description] => [alias] => sky-wreck [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => [richtext] => 1 [template] => 5 [menuindex] => 0 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1505380263 [editedby] => 16 [editedon] => 1579791015 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1505380260 [publishedby] => 0 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => sky-wreck.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 40 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 1 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => MIRRA, Helen [booksAvailable] => 0 [category] => Monographs,Artists' Books [publisher] => The Renaissance Society [releaseDate] => [idx] => 8 ) Array ( [id] => 34751 [type] => document [contentType] => text/html [pagetitle] => If Revolution is a Sickness [longtitle] => [description] => [alias] => if-revolution-is-a-sickness [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>The first monograph on Diane Severin Nguyen&rsquo;s work &ndash; that considers how songs and shared histories are woven together across different times and places.&nbsp;</p> <p><em>If Revolution is a Sickness</em> centers on a new film by Nguyen; set in Warsaw, Poland, and it loosely follows the character of an orphaned Vietnamese child who grows up to join a South Korean pop-inspired dance group. Popular within a subculture of Polish youth, the genre of K-pop is used by Nguyen as a vernacular structure as she traces a relationship between Eastern Europe and Asia that has roots in Cold War allegiances.</p> <p>In addition to extensive imagery from the film and behind-the-scenes footage, the book also features essays by Cat Zhang on K-pop&rsquo;s online communities and by Nathan&auml;el on music, history, and geography; a pair of reflections on the film by curators Myriam Ben Salah and Sohrab Mohebbi; and a conversation between the artist and psychoanalyst Jamieson Webster. Also included with the book is a flexi-disc record featuring a song with music and lyrics co-written by Nguyen [publisher's note]</p> <p><em>If Revolution is a Sickness</em> was published in relation with the exhibitions of the works at SculptureCenter in New York and the Renaissance Society at the University of Chicago.</p> [richtext] => 1 [template] => 5 [menuindex] => 12147 [searchable] => 1 [cacheable] => 1 [createdby] => 16 [createdon] => 1732122177 [editedby] => 16 [editedon] => 1732226898 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1732122180 [publishedby] => 16 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => if-revolution-is-a-sickness.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => 0 [price] => 38 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 2 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => NGUYEN, Diane Severin; BEN SALAH, Myriam (ed.); MOHEBBI, Sohrab (ed.) [booksAvailable] => 1 [category] => Monographs [publisher] => The Renaissance Society [releaseDate] => 2024 [idx] => 9 ) Array ( [id] => 23493 [type] => document [contentType] => text/html [pagetitle] => The New World 1. The Application [longtitle] => [description] => [alias] => the-new-world-1-the-application [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => [richtext] => 1 [template] => 5 [menuindex] => 0 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1505380319 [editedby] => 0 [editedon] => 0 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1505380319 [publishedby] => 0 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => the-new-world-1-the-application.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 30 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => [color] => [size] => [source] => 1 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => STRAU, Josef [booksAvailable] => 0 [category] => Monographs,Artists' Books [publisher] => The Renaissance Society [releaseDate] => [idx] => 10 ) Array ( [id] => 23494 [type] => document [contentType] => text/html [pagetitle] => The New World 2. Travels in Turtle Island [longtitle] => [description] => [alias] => the-new-world-2-travels-in-turtle-island [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>The second of two books published alongside Strau&rsquo;s 2014 Renaissance Society exhibition, <em>The New World. Application for Turtle Island</em>, this features an essay by Jay Sanders alongside introductions to different aspects of Strau&rsquo;s practice by artists with whom he has recently collaborated: Bernadette Van-Huy, Stefan Tcherepnin, Antek Walczak, Fernando Mesta, and Jos&eacute; Rojas. Also included are full color images of the installation and an exhibition checklist, as well as an introduction by Solveig &Oslash;vsteb&oslash; and a text by Strau. [publishers&rsquo; note]</p> [richtext] => 1 [template] => 5 [menuindex] => 0 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1505380319 [editedby] => 16 [editedon] => 1744473025 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1505380260 [publishedby] => 0 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => the-new-world-2-travels-in-turtle-island.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => 0 [price] => 33 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 1 [favorite] => 1 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 1 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => STRAU, Josef; ØVSTEBØ, Solveig (eds.) [booksAvailable] => 1 [category] => Exhibition Catalogues,Artists' Writings [publisher] => The Renaissance Society [releaseDate] => 2014 [idx] => 11 ) Array ( [id] => 23500 [type] => document [contentType] => text/html [pagetitle] => Catherine Sullivan: Five Economies (Big Hunt/Little Hunt) [longtitle] => [description] => [alias] => catherine-sullivan-five-economies-big-huntlittle-hunt [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => [richtext] => 1 [template] => 5 [menuindex] => 0 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1505380319 [editedby] => 0 [editedon] => 0 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1505380319 [publishedby] => 0 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => catherine-sullivan-five-economies-big-huntlittle-hunt.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 30 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => [color] => [size] => [source] => 1 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => SULLIVAN, Catherine [booksAvailable] => 1 [category] => Monographs [publisher] => The Renaissance Society [releaseDate] => [idx] => 12 ) Array ( [id] => 24034 [type] => document [contentType] => text/html [pagetitle] => Black is, black ain't [longtitle] => [description] => [alias] => black-is-black-ain-t [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>Taking its title from Ralph Ellison's Invisible Man, exhibition <em>Black Is, Black Ain't</em> (April 20 &ndash; June 8, 2008) explored a shift in the rhetoric of race from an earlier emphasis on inclusion to a present moment where racial identity is being simultaneously rejected and retained. Curated by the Renaissance Society's Associate Curator and Education Director Hamza Walker, the exhibition brought together works by twenty-seven black and non-black artists whose work collectively examines a moment where the cultural production of so-called "blackness" is concurrent with efforts to make race socially and politically irrelevant. The publication features essays by Huey Copeland, Darby English, Greg Foster-Rice, Amy M. Mooney, Kymberly N. Pinder, Krista Thompson, Hamza Walker, and Kenneth Warrren.</p> [richtext] => 1 [template] => 5 [menuindex] => 0 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1505380411 [editedby] => 16 [editedon] => 1742978310 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1505380380 [publishedby] => 0 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => black-is-black-ain-t.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 41 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 1 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => WALKER, Hamza (ed.) [booksAvailable] => 0 [category] => Exhibition Catalogues,Cultural Studies,Politics [publisher] => The Renaissance Society [releaseDate] => [idx] => 13 ) Array ( [id] => 23670 [type] => document [contentType] => text/html [pagetitle] => Heimo Zobernig [longtitle] => [description] => [alias] => heimo-zobernig [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>In Zobernig's 1996 installation, the gallery walls from the Society's preceding exhibition were laid flat on the floor-a neat-handed figure/ground reversal turning support into sculpture. In another provocative turn, Zobernig brought the outside in to this altered gallery space via video - he had himself filmed cavorting around the Renaissance Society hallway naked in front of walls that were painted video back-drop blue; this image was then super-imposed on footage shot while driving around Chicago. This informative and engaging book, designed by Zobernig, serves as a valuable pictorial document, and an insightful critical analysis of this important work. Walker's essay speaks to the challenge Zobernig's art poses for art history and the implications of that challenge for the future of art. In addition, the catalog features a transcript of the panel discussion: Planned Obsolescence, in which a group of critics, curators and architectural historians gathered to discuss how Zobernig's practice differs from, or further informs, practices that have made an art out of calling for an end of art. [publisher's note]</p> <p>&nbsp;</p> [richtext] => 1 [template] => 5 [menuindex] => 0 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1505380329 [editedby] => 1 [editedon] => 1562073706 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1505380320 [publishedby] => 0 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => heimo-zobernig.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 30 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 1 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => ZOBERNIG, Heimo [booksAvailable] => 0 [category] => Monographs [publisher] => The Renaissance Society [releaseDate] => 1998 [idx] => 14 )

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