Array ( [id] => 28498 [type] => document [contentType] => text/html [pagetitle] => Portraits. John Berger à vol d'oiseau [longtitle] => [description] => [alias] => portraits,-john-berger-à-vol-doiseau [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>Ce livre r&eacute;unit tous les textes de John Berger sur les artistes, et il m&eacute;rite pour cette seule raison la plus grande attention. Il est, nous dit Tom Overton, comme son autoportrait. Il est, pourrait-on dire aussi, son histoire de l'art. Le reste se passe derri&egrave;re les rideaux : c'est l'hommage que nous lui rendons.<br />Peu importe que ce livre en r&eacute;alit&eacute; ne soit pas exactement un livre de John Berger. Qu'il soit aussi un d&eacute;tournement. Un d&eacute;tournement d&rsquo;&eacute;diteur. Que tout y soit un peu faux, presque compl&egrave;tement machin&eacute;. Que tout ou presque y ait &eacute;t&eacute; arrach&eacute; &agrave; son contexte, d&eacute;plac&eacute;, num&eacute;rot&eacute;. Qu'ici des morceaux aient &eacute;t&eacute; isol&eacute;s, pr&eacute;lev&eacute;s &agrave; un roman, d&rsquo;autres &agrave; une pi&egrave;ce de th&eacute;&acirc;tre, &agrave; une correspondance. Que d&rsquo;autres encore soient des fragments d&rsquo;une monographie plus importante, ou des fragments constitu&eacute;s d&eacute;j&agrave; mont&eacute;s, autrement, par John Berger lui-m&ecirc;me dans d&rsquo;autres anthologies. Que le titre ne soit pas tout &agrave; fait le titre, qu'il ait d&eacute;tr&ocirc;n&eacute; l&rsquo;auteur, lequel s&rsquo;est gliss&eacute; ailleurs. Dans ce lieu sans date o&ugrave; les vivants et les morts cohabitent. Ce point du temps o&ugrave; s&rsquo;&eacute;crit toute vie. [note de l'&eacute;diteur]</p> [richtext] => 1 [template] => 5 [menuindex] => 6373 [searchable] => 1 [cacheable] => 1 [createdby] => 16 [createdon] => 1608554076 [editedby] => 16 [editedon] => 1619708414 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1608554040 [publishedby] => 16 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => portraits,-john-berger-à-vol-doiseau.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 49 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 1 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 2 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => BERGER, John [booksAvailable] => 0 [category] => Art History,Conversations [publisher] => L'Écarquillé [releaseDate] => 2020 [idx] => 1 ) Array ( [id] => 21874 [type] => document [contentType] => text/html [pagetitle] => Une autre façon de raconter [longtitle] => [description] => [alias] => une-autre-facon-de-raconter [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => [richtext] => 1 [template] => 5 [menuindex] => 0 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1505380144 [editedby] => 16 [editedon] => 1737449017 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1505380140 [publishedby] => 0 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => une-autre-facon-de-raconter.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 42 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 1 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => BERGER, John; MOHR, Jean [booksAvailable] => 0 [category] => Art Theory,Essays,Film & Video [publisher] => L'Écarquillé [releaseDate] => [idx] => 2 ) Array ( [id] => 30691 [type] => document [contentType] => text/html [pagetitle] => La discontinuité même [longtitle] => [description] => [alias] => la-discontinuité-même [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>Encore largement m&eacute;connu, d&eacute;couvert dans ses archives plusieurs d&eacute;cennies apr&egrave;s sa mort, tout un pan de l'oeuvre de Carl Einstein est &eacute;crit en fran&ccedil;ais. Le texte que nous publions fait partie de ce corpus &eacute;tonnant. Il s'agit du texte d'une conf&eacute;rence qu'il donna &agrave; la Sorbonne en janvier 1926, o&ugrave; il semble tenter de condenser sa pens&eacute;e notamment sur les questions d'esth&eacute;tique. Un texte sur la cr&eacute;ation artistique, sur l'intuition, sur la force de l'imagination, cr&eacute;atrice de formes.</p> <p>Le livre propose, en bonus, un autre texte in&eacute;dit de Carl Einstein, celui-l&agrave; traduit de l'allemand. Un texte beaucoup plus incarn&eacute; sur le dessin, qui poursuit sur un autre mode l'analyse du m&ecirc;me ph&eacute;nom&egrave;ne mental : une p&eacute;pite !</p> <p>Le commentaire d'Isabelle Kalinowski s'ins&egrave;re entre ces deux textes et reconstitue la coh&eacute;rence de cette pens&eacute;e si singuli&egrave;re et tellement revigorante.</p> <p>[note de l'&eacute;diteur]</p> [richtext] => 1 [template] => 5 [menuindex] => 8453 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1653649587 [editedby] => 16 [editedon] => 1717575030 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1653654300 [publishedby] => 1 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => la-discontinuité-même.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 12 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 2 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => EINSTEIN, Carl [booksAvailable] => 0 [category] => Art History,Art Theory,Essays [publisher] => L'Écarquillé [releaseDate] => 2021 [idx] => 3 ) Array ( [id] => 22325 [type] => document [contentType] => text/html [pagetitle] => L'Atlas Mnemosyne [longtitle] => [description] => [alias] => l-atlas-mnemosyne [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => [richtext] => 1 [template] => 5 [menuindex] => 0 [searchable] => 1 [cacheable] => 1 [createdby] => 1 [createdon] => 1505380168 [editedby] => 1 [editedon] => 1679764443 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1505380140 [publishedby] => 0 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => l-atlas-mnemosyne.html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 45 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 1 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => WARBURG, Aby [booksAvailable] => 0 [category] => Art History,Facsimile & Reprints [publisher] => L'Écarquillé [releaseDate] => [idx] => 4 ) Array ( [id] => 28497 [type] => document [contentType] => text/html [pagetitle] => L’Atlas Mnemosyne (version poche) [longtitle] => [description] => [alias] => latlas-mnemosyne-(version-poche) [link_attributes] => [published] => 1 [pub_date] => 0 [unpub_date] => 0 [parent] => 50 [isfolder] => 0 [introtext] => [content] => <p>Si Aby Warburg a &eacute;t&eacute; le premier &agrave; d&eacute;finir une m&eacute;thode d&rsquo;interpr&eacute;tation iconologique, s&rsquo;il a cr&eacute;&eacute; une biblioth&egrave;que des sciences de la culture unique au monde, l'innovation d&eacute;cisive qu'il a introduite dans le champ &eacute;pist&eacute;mologique de l&rsquo;histoire de l'art est bien &ldquo;Mnemosyne&rdquo; : &oelig;uvre absolument originale et unique, dont l&rsquo;ambition n'est rien moins que de poser les fondements d'une grammaire figurative g&eacute;n&eacute;rale, et qui ouvre des perspectives dont la port&eacute;e n'a pas encore &eacute;t&eacute; totalement mesur&eacute;e.&nbsp;</p> <p>Rest&eacute; inachev&eacute; &agrave; la mort de l'auteur, ayant mobilis&eacute; l'&eacute;nergie intellectuelle et physique de ses derni&egrave;res ann&eacute;es, Mnemosyne peut &ecirc;tre consid&eacute;r&eacute; comme l'aboutissement de toutes ses recherches. Il constitue le plus ambitieux corpus d'images jamais r&eacute;uni, dont la gen&egrave;se et l'&eacute;volution sont li&eacute;es &agrave; une pratique discursive et &agrave; un mode de transmission du savoir que pr&eacute;conisait Warburg, mais qu&rsquo;il convient aussi d&rsquo;examiner sous l&rsquo;angle de ses relations avec le probl&egrave;me de la m&eacute;moire et avec sa biblioth&egrave;que. [note de l'&eacute;diteur]</p> [richtext] => 1 [template] => 5 [menuindex] => 6372 [searchable] => 1 [cacheable] => 1 [createdby] => 16 [createdon] => 1608553325 [editedby] => 16 [editedon] => 1608671505 [deleted] => 0 [deletedon] => 0 [deletedby] => 0 [publishedon] => 1608553380 [publishedby] => 16 [menutitle] => [donthit] => 0 [privateweb] => 0 [privatemgr] => 0 [content_dispo] => 0 [hidemenu] => 0 [class_key] => msProduct [context_key] => web [content_type] => 1 [uri] => latlas-mnemosyne-(version-poche).html [uri_override] => 0 [hide_children_in_tree] => 0 [show_in_tree] => 0 [properties] => [article] => [price] => 18 [old_price] => 0 [weight] => 0 [image] => [thumb] => [vendor] => 0 [made_in] => [new] => 0 [popular] => 0 [favorite] => 0 [tags] => Array ( [0] => ) [color] => Array ( [0] => ) [size] => Array ( [0] => ) [source] => 2 [vendor.name] => [vendor.resource] => [vendor.country] => [vendor.logo] => [vendor.address] => [vendor.phone] => [vendor.fax] => [vendor.email] => [vendor.description] => [vendor.properties] => [author] => WARBURG, Aby [booksAvailable] => 0 [category] => Art History,Cultural Studies [publisher] => L'Écarquillé [releaseDate] => 2019 [idx] => 5 )

Author ↑↓	Title ↑↓	Publisher ↑↓	Date ↑↓	Category	Price ↑↓	Buy