A Series of Utterly Improbable, Yet Extraordinary Renditions
Attention: this is a HUGE volume! Over the past three decades, the American filmmaker, cinematographer and artist, Arthur Jafa, has developed a dynamic and multidisciplinary career that is centred upon questions of identity and race. Jafa creates films, artefacts and happenings that reference and question the universal and specific articulations of Black being. Through his research, he asks how we might identify a specific set of aesthetics that is modelled on the centrality of Black music to America’s cultural history. Underscoring the many facets of Jafa’s practice is the recurring question: how can visual media, such as objects, static and moving images, transmit the equivalent ‘power, beauty and alienation’ embedded within forms of Black music?
Building upon Jafa’s image-based practice, this book comprises a series of visual sequences that are cut and juxtaposed across its pages. The artist has been collecting and working from a set of source books since the 1990s, seeking to trace and map unwritten histories and narratives relating to black life. Punctuating this visual material is a series of commissioned texts partnered with a rich compendium of essays, short stories and poetry that has informed Jafa’s artistic practice and which together form an unprecedented resource.
This catalogue is published to accompany Arthur Jafa’s 2017 exhibition at the Serpentine Galleries, A Series of Utterly Improbably, Yet Extraordinary Renditions that travelled to the Julia Stoschek Collection in Berlin in 2018. Edited by Amira Gad and Joseph Constable, it comprises texts by Fred Moten, John Akomfrah, Hilton Als… and many others.